Nowadays, everyone has a very high end digital camera on
their phones, so one might think that it would lead to more people having good
photos of themselves (in addition to photos of whatever they had for lunch
every single day since getting the phone). However, if you spend a few minutes
on Facebook or dating apps, it becomes apparent that the majority of people still
have no idea how to take decent ones.
Is it important to have a good profile pic? Perhaps not to
everyone. Focusing too much on one’s appearance is shallow and for many, is a
repulsive trait. However, the point here today isn’t to obsess about your looks
and take dozens of photos daily, but rather to be able to have a few that
reflect how you look like in-real-life. If the only photo you have that feel OK
to you is some grainy, fuzzy shot someone grabbed at a bar 7 years ago, you can
probably do better. Today I’ll discuss some techniques that might help.
Having your photo taken is both a skill and art-form, and
not just a product of your appearance. In other words, you don’t have to be
beautiful to look decent in photos. Admittedly, there is a limit to the “magic”
those skills can provide, and some people will not have Brad Pitt’s dashing
good looks no matter what they do, but still, a few tweaks and experience can
help most people look a lot better than the majority of what I see online.
Before I start, let's address the question of the CAMERA. We've all seen pro photographers with their giant cameras and lenses (*) that probably cost more than a car. Indeed, most of them spend thousands, but that's not the key to good photos anymore than a good knife being the key to good sushi. The camera in most of today's phones is quite capable of producing studio-quality shots, and you can get there too, using the following tips and tricks.
* Why do pros still spend thousands on these machines? Well, some of is is just for flare, because it might look ridiculous if a professional photographer would be jumping around the studio with a tiny camera. Beyond that, the pro models can do some fun stuff, like faster and more efficient focus and taking a lot of photos continuously (for example, Canon's EOS-1D X Mark III can shoot 16 photos per second). They also have other tech that can produce decent shots in sub-optimal conditions, like low-light, weird-light or fast moving situations, such as those needed by journalism photographers. The big lenses they have are also optimized for such harsher conditions.
For starters, the most important & ignored thing for any
photo is LIGHT, and that’s what most photographers spend their time on
studying, and their money on buying. I cannot cover the entirety of light
theory here, as it requires a whole book, but the fundamentals are that a light
needs to be STRONG, DIFFUSED, and have the right COLOR. The LED light that your
phone has is not serious, and neither is the standing-light you have in your
bedroom, even if it is a halogen. Without serious light, even the most
good-looking face will look too-dark, lacking in details, and have unnatural
To be fair, a serious light doesn’t mean you need to go
spend hundreds of dollars. Most of us have a very serious light at our service,
and it’s usually free. It’s called “the sun”, and unless you live in Seattle,
you might have seen it occasionally, when taking a break from reading this
website. A professional photographer would indeed have spent hundreds of
dollars on specialized light fixtures (although you can get a decent set of soft-lights for about $65), but you can get great photos by
using sunlight to light yourself. But wait…don’t rush to the back yard quite yet.
The 2nd factor is diffusion. Sunlight can be TOO strong,
and that causes an issue of shadows. Normal faces have elements like eyebrows
and nose that can cast shadows around them and that doesn’t work well, so it’s
as-important to diffuse the light. Professional photographers might use a
reflector, which is just a large white or silver panel that is placed or
held such that it reflects the light from another angle, thus illuminating the
shadows created by the sun. While a reflector isn’t too expensive (you can buyone for $15), it does require expertise to setup right, but an alternative is
simply using INDIRECT light. One way is to take the picture in a shaded area,
like under a tree or behind a structure. It can be tricky to find a good
balance of light that is both diffused, but still bright enough, though.
Another trick is to take a photo either very early in the morning, or very late
before sundown. During these times, the angle of the sun to earth is such that
the light comes through the atmosphere from the side, and is more diffused and
thus less stark. It also ads a bit of a softer hue to the light, making the
photos look a bit “dreamy”, which is usually good for portraits. Another trick
is to take a picture indoors, in front of a window. You would stand at the
window, looking out, or at the side of the window. In such a scenario, the
window will let a lot of light in, but not direct sunlight, so it’s diffused.
Yet another hack is to take a picture inside your car. In a car, you are
surrounded by several windows, so a lot of light comes-in, but also indirectly,
and that creates really well-lit and balanced light.
The light color-temperature is another aspect. Every light
source has one, and some are better than others. This is not a huge factor, as
cameras have a “white balance” feature, which can compensate for issues with
the color temperature, but one thing to keep in mind is to avoid taking
pictures under fluorescent lights, as those are notoriously difficult to get
right even with the best camera. With pretty-much all phone and simple digital
cameras, white-balance will be automatic and you don’t need to fidget with it
(unless you intentionally turned it off). If, however, you notice your skin
looks weird in your photos, like ghost-white, too-red, then it might be your
light source having a really bad color temperature that your camera isn't able to adjust-to. This might be possible to fix that with some retouching, but I recommend getting better light as a 1st step, as retouching has it's limits too.
Beyond these basic light tips, there are many ways to setup
lighting for different looks and effects. If you’d like to dig deeper, this
article covers some of these scenarios:
Another important aspect of photography is position and
posture. Many of us take photos standing up or sitting on a couch, and that
rarely works well. A prop that has proven itself consistently is a simple
high-stool (one that’s high enough so that your feet don’t touch the ground and
you need to prop them on the stool support beam). These stools force us into a
straight-back posture that is much nicer than an awkward stand, and usually
eliminates the double-chin that often accompanies sitting-down on something
more comfortable like a couch or sofa.
The next skill is figuring out which side and angle works
best for YOU personally. The majority of people don’t have a fully symmetric
face, and so one side will look better than the other. In general, taking a
photo staring straight into the camera is almost never going to do you justice,
and the angle that works for most people is “3/4”, meaning you point your head
to the side of the camera about 45 degrees, while still making eye-contact with
the camera itself. Make sure that the camera is at eye-level or a little above
it, but never below as that distorts the face badly. Ultimately, different
angles work differently for different people, and are also affected by things
like your personal eye structure (and other facial features), scars, skin
condition, etc. There’s no substitute for experimentation, so be ready to take
a few dozen pictures, covering various angles, until you find a decent one. A
key here is repeatability. Once you find the right angle, you should be able to
get decent shots almost every time.
One thing to keep in mind is camera distance. Non-professional
cameras are optimized to include as much into the scene (a.k.a. “wide angle” or
fish-eye), and that tends to distort things and can make you look fatter or
cartoonish than you really are. An optimal distance to take a photo is at least
4-6 feet away, so if you were hoping to just take a selfie while holding the
phone, this will only work if you have very long arms. In all other cases, ask
a friend to take the photos, or use a selfie-stick or tripod, or simply prop
the phone on something (again…make sure it’s at eye level!), and use the
self-timer option. By the way, if you have a Samsung phone, they have a feature
that will take a timed-photo when it recognizes an open-palm. Instead of
fidgeting with the settings, just stand and wave your arm…and the phone will
take a photo automatically.
Next thing to consider is your eyes. Many people open their
eyes too-wide, and end up with a deer-in-headlight look. Instead, try to keep
your eyes naturally open, or squint a little bit. As with the angle, some
trial-and-error is the way to find what works best for your face.
Something that many people seem to struggle-with is the
smile. Most people know that smiling in a photo is a good idea, but many
struggle to produce a fake smile that will look nice, and end up as if they are
grimacing, smirking, or looking like an idiot (the cliché and horrible ‘say
cheese’ phenomenon). Professional photographers learn to talk to their subject
while they are photographing them, and try to hone-in on subject of fun and
interest, in order to elicit a natural smile, as those typically look best. If you
have a friend to do that for you, that would be ideal, and if not, try to think
of fun and pleasant things while you do this, or recall a funny video or joke.
If you’re running into a blank with smiling, try a low-key fake smile that has
your lips closed (no teeth showing), and smiling with just the edges of the
mouth. Keep in mind that a smile is also in the eyes, so try to consciously
smile with your eyes too. Whatever you do, avoid the duck-lips and open-mouth
smile, as those almost always look bad. Some photographers suggest doing a
joint-shoot with your kids or a romantic partner, as the love between you can
bring your face to life and bring out natural happiness and joy.
If, with all the above, you are still unhappy with the
results, another trick to try is simply making faces and gestures. As you take
the photos, simply “act” out different thoughts and moods. Shock, surprise,
horror, hunger, “wondering”, questioning, doubting, etc. If you are capable of
unusual facial gymnastics like raising a single eye-brow or moving your ears,
try these too. Supplement those with body and hand gestures, like raising your
hands up, pointing a finger at the camera, making a “hello” gesture. A common
posture is one where you lean your elbow on your thigh or knee, and lean your
face onto your palm. This posture tends to put you in a good angle, and can
also be useful in concealing a part of your face, if you’d like (for those of
us who have some nasty scar, bad facial hair or multi-chins).
Another thing to consider is the background. It's less critical than the above, but can make a difference. It doesn't have to be a "professional" background (although you can buy that for as low as $50). You can hang a simple blanket or sheet using clips or tacks, or simply do it in front of a clean wall. If you do use something, try to get something neutral to contrast with what you're wearing, so you stand-out, and avoid strong or loud patterns. If unsure, you can't go wrong with simple white background. If you absolutely cannot setup a good background, there are some websites that can automatically remove it for you.
Ultimately, even with all these tricks, there’s no
substitute to a experience, and that means taking a lot of photos as you
work your way through what looks best. Keep in mind that even a professional
photo shoot also involves taking dozens or even hundreds of photos, knowing
that the majority of them will be discarded. Thankfully, with digital
photography, all you’re wasting is time and no film.
If despite all this, nothing works, consider going to a
professional photographer. At some chains like JC Penny or PicturePeople, you can get a session
done for a reasonable amount of money, and this is decent investment in order
to build yourself a serious online presence and dating profile (I, even though
I’m quite capable of self-photography, do this every 2-3 years to get a fresh
set). It’s also an opportunity to learn by interacting with an experienced shooter and seeing what he or she does to “get” you to look good. Naturally,
they will have other tricks and high-end equipment and lights, but trust me…the
main trick is your face, not just the hardware.